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Keeley Memphis Sun

Item ID: KSUN

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Keeley Memphis Sun

The new Memphis Sun – Lo-Fi Reverb, Echo and Double-Tracker is Keeley's second studio themed pedal. Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you’ve not heard before. It’s NeoVintage. It’s an Echo and Reverb pedal.

Room Reverb

The Room Reverb simulates a small 33′ by 18′ asbestos-tiled room so filled with music the sounds actually get compressed. We add a slight amount of “room compression” to the reverb; it almost lives and breathes. We take into account the frequency response of the mics used then. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. In fact, second and third order harmonics are added to make sure it sounds Just Right.

Sun Mode

Let’s Do it Twice Mama, It’s Alright! Automatic Double Tracking (ADT) was not available in the 1950s, but we sneak it in here because it makes a wonderful sound. And, if you lengthen the time it goes right into slapback territory which is at the foundation of Country and Rock and Roll guitar sounds. Like our Keeley 30ms this pedal will do ADT. The Memphis Sun creates a vintage-voiced double-track in mono. Your guitar playing “Gemini-Twin” in this case has a very warmed up tone. Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of dealy time.

Echo 600

Rock and Roll is the Devil’s music, right? Of course we made the delay time up to 666ms to simulate some unearthly echo machine that never really existed. Filtering in the Slackback Mode is done in stages. First we heavily filter the response at 1 kHz then compress the thing. Remember the concept… pack a bunch of sound in a small room and it compresses. Next we filter it again at 1 kHz! Sounds like Rock and Roll, right? Aaron Tackett is our Rock and Roll Doctor of DSP here at Keeley. Not only is he devilishly good looking, he has a way of making waves look good, adding curves so to speak. He has added 2nd and 3rd order harmonics to this mix that simulate tape response and equipment distortions. Waves folded back on themselves. Your gonna love his curves.